Star Wars occupied most of my childhood. The original film was released when I was 5 years old and, after seeing that, Luke Skywalker, tie fighters and Wookies consumed the majority of my brother, Stefan, and my waking hours… during our sleeping hours, we had The Empire Strikes Back sheets!
It is a movie with very well designed and unique sounds: R2D2 beeps and boops, lightsaber hums and the terrifyingly unmistakable scream of the tie fighter are just a few of the obvious ones. We used to imitate them as we played and Stefan and I can still identify key parts of the movies blindfolded by just hearing the sound effects or music.
With this history (or misspent youth) I was super pumped to have one of my favourite podcasts, Twenty Thousand Hertz, do an episode on the backstories of many of the key sounds from the Star Wars movies. They interview Ben Burtt, the sound designer who worked with George Lucas to define these iconic sounds and it was fascinating to hear where they came from. I have known some of this history from previous nerdy pursuits, but it was great to hear it from the guy who actually created them and get to hear, from a sound design perspective, how it was done, layer by layer.
If you love Star Wars too, this is a must-listen. If you don’t, you still may like the show, but, frankly, you have bigger problems. 😉
The stories behind the world’s most iconic and fascinating sounds.
What does a time machine sound like? Or a magic carpet? For the BBC Radiophonic Workshop, that was just another day at the office. For 40 years, this oddball collective of engineers and composers pushed the boundaries of sound design, crafting eerie atmospheres, quirky jingles, and the iconic audio of Doctor Who. In this episode, we explore the rise and fall of this pioneering studio with composer and archivist Mark Ayres, and uncover how these sonic wizards shaped the future of sound.
Twenty Thousand Hertz is produced by Defacto Sound.
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